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Issue 57 Spring, 2013
Moving Bodies
Sympathetic Migrations in Transgender Narrativity
The Nun, The Priest, and the Pornographer
Scripting Rape in Maria Monk’s Awful Disclosures
Human Rights and the "African Village"
Ousmane Sembène’s Moolaadé
I Can Be Whoever I Want to Be
Alias and The Post-Feminist Rhetoric of Choice
Technodrama of the Designer Baby in My Sister's Keeper and Pride
Who's in Prison in the U.S.? Who's Not?
A Special Call for
Papers
NOTES ON
CONTRIBUTORS, Genders 57
Issue 56 Fall, 2012
Making a Meal of Manhood
Revisiting Rope and the Question of Hitchcock's Homophobia
The Only Black Man at the Party
Joni Mitchell Enters the Rock Canon
A Body That Does Not Compare
How White Men Define Black Female Beauty in the Era of Colorblindness
Soldiers of Feeling
Masculinity and Patriotism in Innes Munro’s Military Memoirs
Phallic Nationalism
Limits of Male Homosocial Desire in A Spy on Mother Midnight
Who's in Prison in the U.S.? Who's Not?
A Special Call for
Papers
NOTES ON
CONTRIBUTORS, Genders 56
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