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GENDERS 1994-97
ISBN 0814746519
Sexual Artifice: Persons, Images, Politics
GENDERS 19 (New York University Press, 1994). Ed. by Ann Kibbey,
Kayann Short, and Abouali Farmanfarmaian.
Contents:
- Jones DeRitter, "Not the Person S/he Conceived Me: The Public Identities of Charlotte Charke"
- Talia Schaffer, "Posing ORLANDO"
- Elisabeth A. Frost, "Fetishism and Parody in Stein's TENDER BUTTONS"
- Margaret A. Eisenhart and Nancy R. Lawrence, "Anita Hill, Clarence Thomas, and the Culture of Romance"
- Leah Hackleman, "Plastic Man Versus the Sweet Assassin"
- Lora Rempel, "The Anti-Body in Photomontage: Hannah Hoch's Woman Without Wholeness"
- Cynthia Weber, "Something's Missing: Male Hysteria and the U.S. Invasion of Panama"
- Heather Zwicker, "Gendered Troubles: Refiguring Woman in Northern Ireland"
- Rajeswari Mohan, "The Crisis of Femininity and Modernity in the Third World"
- Lynda Hart, "Zero-Degree Deviancy: LESBIANS WHO KILL"
- Ian Barnard, "Macho Sluts: Genre-Fuck, S/M Fantasy, and the Reconfiguration of Political Action"
- Mas'ud Zavarzadeh, "Ideology, Poststructuralism, and Class Politics: Rethinking Ideology Critique for a Transformative Feminist Politics"
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ISBN 0814779999
Eroticism and Containment: Notes From the Flood Plain
GENDERS 20 (New York University Press,1994). Ed. by
Carol Siegel and Ann Kibbey.
Contents:
- Kayann Short, "Coming to the TABLE: The Differential Politics of THIS BRIDGE CALLED MY BACK"
- Deborah Lipton, "Talking About Sex: Sexology, Sexual Difference, and Confessional Talk Shows"
- Wendy Graham, "Henry James's Thwarted Love"
- Sangeeta Ray, "Gedenr and the Discourse of Nationalism in Anita Desai's CLEAR LIGHT OF DAY"
- Lauren Chattman, "Diagnosing the Domestic Woman in THE WOMAN IN WHITE and DORA"
- Marcia Klotz, "Memoirs From a German Colony: What Do White Women Want?"
- Sandhya Shetty, "(Dis)Locating Gender Space and Medical Discourse in Colonial India"
- Andrea L. Harris, "The Third Sex: Figures of Inversion in Djuna Barnes's NIGHTWOOD"
- Robert McRuer, "Boys' Own Stories and New Spellings of My Name: Coming Out and Other Myths of Queer
Positionality"
- D.A. Boxwell, "In Formation: Male Homosocial Desire in Willa Cather's ONE OF OURS"
- David Roman, "Shakespeare Out in Portland: Gus Van Sant's MY OWN PRIVATE IDAHO, Homoerotics, and Boy Actors"
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ISBN 0814780075
Forming and Reforming Identity
GENDERS 21 (New York University Press, 1995). Ed. by Carol Siegel and Ann
Kibbey.
Contents:
- Barbara J. Coleman, "Maidenform(ed): Images of American Women in the 1950s"
- Mrinalini Sinha, "Nationalism and Respectable Sexuality in India"
- Karen Schneider, "Re-Shooting World War II: Women, Narrative Authority, and Hollywood Cinema"
- Jonathan C. Lang, "Some Perversions of Pastoral, Or, Tourism in Gide's L'IMMORALISTE"
- Albert Rouzie, "The Dangers of (D)alliance: Power, Homosexual Desire, and Homophobia in Marlowe's EDWARD II"
- Sally Robinson, "What Guy Will Do That? Recodings of Masculinity in SEX, LIES, AND VIDEOTAPE"
- Kate Cummings, "Nasty Broads and Tender Bitches: The Televising of AIDS Mothers We Love (to Hate)"
- Marina Heung, "The Family Romance of Orientalism: From MADAME BUTTERFLY to INDOCHINE"
- Rosaria Champagne, "The Law of the (Nameless) Father: Mary Shelley's MATHILDA and the Incest Taboo"
- Mingyan Lai, "Female But Not a Woman: Genders in Chinese Socialist Texts"
- Carol Siegel, "Compulsory Heterophobia: The Aesthetics of Seriousness and the Production of Homophobia"
- Teresa L. Ebert, "The Crisis of (Ludic) Socialist Feminism"
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ISBN 0814712487
Postcommunism and the Body Politic
GENDERS 22 (New York University Press, 1995). Ed. by Ellen E. Berry.
Contents:
- Beth Holmgren, "Bug Inspectors and Beauty Queens: The Problems of Translating Feminism into Russian"
- Harriet Murav, "Engendering the Russian Body Politic"
- Vida Penezic, ""Women in Yugoslavia"
- Ewa Hauser, "Traditions of Patriotism, Questions of Gender: The Case of Poland"
- Katrin Sieg, "Sex, Subjectivity, and Socialism: Feminist Discourses in East Germany"
- Karen Remmler, "Deciphering the Body of Memory: Writing by Former East German Women Writers"
- Helena Goscilo, "New Members and Organs: The Politics of Porn"
- Masha Gessen, "Sex in the Media and the Birth of the Sex Media in Russia"
- Kevin Moss, "The Underground Closet: Political and Sexual Dissidence in East European Culture"
- Mikhail Epstein, "Ivan Soloviev's Reflections on Eros"
- Teresa Polowy, "Russian Women Writing Alcoholism: The Sixties to the Present"
- Chaterine Portuges, "Gendering Cinema in Postcommunist Hungary"
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ISBN 081472647X
Bodies of Writing, Bodies in Performance
GENDERS 23 (New York University Press, 1996). Ed. by Thomas
Foster, Carol Siegel, and Ellen E. Berry.
Contents:
- Caroline J. Howlett, "Writing on the Body? Representation and Resistance in British Suffragette Accounts of Forcible Feeding"
- Frances L. Restuccia, "Literary Representations of Battered Women: Spectacular Domestic Punishment"
- Janelle Wilcox, "Resistant Silence, Resistant Subject: (Re)Reading Gayl Jones's EVA'S MAN"
- Charles Hannon, "THE BALLAD OF THE SAD CAFE and Other Stories of Women's Wartime Labor"
- Elaine Freedgood, "E.M. Forster's Queer Nation: Taking the Closet to the Colony in A PASSAGE TO INDIA"
- Purnima Bose, "Engendering the Armed Struggle: Women, Writing, and the Bengali "Terrorist" Movement"
- Julia Emberly, "The Power in Written Bodies: Gender, Decolonization, and the Archive"
- Lawrence Hammar, "Bad Canoes and BAFALO: The Political Economy of Sex on Daru Island, Western Province,
Papua New Guinea"
- Leland Monk, "A Terrible Beauty is Born: Henry James, Aestheticism, and Homosexual Panic"
- Nadine Hubbs, "Music of the Fourth Gender: Morrissey and the Sexual Politics of Melodic Contour"
- Amanda Howell, "Lost Boys and Angry Ghouls: Vietnam's Undead"
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ISBN 0814746829
On Your Left: Historical Materialism in the 1990s
GENDERS 24 (NewYork University Press, 1996). Ed. by Ann Kibbey, Thomas Foster, Carol Siegel, and Ellen E.
Berry.
Contents:
- Rosemary Hennessy, "Ambivalence as Alibi: On the Historial Materiality of Late Capitalist Myth in THE CRYING GAME and Cultural Theory"
- Betty Joseph, "Mutations of the Imperial Contract"
- Bridget Elliott, "The Strength of the Weak as Portrayed by Marie Laurencin"
- Laura Lyons, "Feminist Articulations of the Nation: The Dirty Women of Armagh and the Discourse of Mother Ireland"
- Eileen Cleere, "Reproduction and Malthusian Economics: Fat, Fertility, and Family Planning in George Eliot's ADAM BEDE"
- Jennifer DeVere Brody, "Effaced Into Flesh: Black Women's Subjectivity"
- Poonam Pillai, "Feminism and the Problem of Epistemic Displacement: Reconstructing Indigenous Theories"
- Joseph Litvak, "Charming Men, Charming History: Jane Austen's New Historicism"
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ISBN 0814726631
Sex Positives? The Cultural Politics of Dissident Sexualities
GENDERS 25 (New York University Press, 1997). Ed.
by Thomas Foster, Carol Siegel, and Ellen E. Berry.
Contents:
- Nicola Pitchford, "Reading Feminism's Pornography Conflict: Implications for Postmodernist Reading Strategies"
- Naomi Morgenstern, "There is Nothing Else Like This: Sex and Citation in Pornographic Feminism"
- Victoria L. Smith, "Starting From Snatch: The Seduction of Performance in Bertha Harris's LOVER"
- Elissa J. Rashkin, "Historic Image/Self Image: Re-Viewing CHICANA"
- Gaurav Desai, "Out in Africa"
- James Smalls, "Public Face, Private Thoughts: Fetish, Interracialism, and the Homoeroticism Some Photographs by
Carl Van Vechten"
- Sander L. Gilman, "Love + Marriage = Death"
- Laura Frost, "With This Ring, I Thee Own: Masochism and Social Reform in ULYSSES"
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ISBN 0814726739
The Gay '90s: Disciplinary and Interdisciplinary Formations in Queer Studies
GENDERS 26 (New York University
Press, 1997). Ed. by Thomas Foster, Carol Siegel, and Ellen E. Berry.
Contents:
- Robyn Wiegman, "Queering the Academy"
- Dennis Allen, "Lesbian and Gay Studies: A Consumer's Guide"
- John Champagne and Elayne Tobin, "She's Right Behind You: Gossip, Innuendo, and Rumor in the (De)Formation of Gay and Lesbian Studies"
- Calvin Thomas, "Straight With a Twist: Queer Theory and the Subject of Heterosexuality"
- Laura Auricchio, "Lifting the Veil: Robert Rauschenberg's THIRTY-FOUR DRAWINGS FOR DANTE'S INFERNO
and the Commercial Homoerotic Imagery of 1950s America"
- Myriam J. A. Chancy, "Brother/Outsider: In Search of a Black Gay Legacy in James Baldwin's GIOVANNI'S ROOM"
- Thomas E. Yingling, "Homosexuality and the Uncanny: What's Fishy in Lacan"
- Gabrielle N. Dean, "The Phallacies of Dyke Comic Strips"
- Leigh Gilmore, "An Anatomy of Absence: WRITTEN ON THE BODY, THE LESBIAN BODY, and Autobiography Without Names"
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