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Genders 28
1998
NOTES ON CONTRIBUTORS
JO-ANNE BERELOWITZ teaches art history at San Diego State University and has published on museums and on border art collectives.
BONNIE BLACKWELL is an assistant professor at Texas Christian University. This essay is drawn from her book manuscript in progress, "'Strict Examinations': Medicine and the Female Body in the Eighteenth-Century British Novel."
SUSAN CANNON HARRIS is an assistant professor of English at the University of Notre Dame. She has published several articles on modern British and Irish literature, including "Blow the Witches Out: Gender Construction and the Subversion of Nationalism in Yeats's Cathleen ni Houlihan and On Baile's Strand," Modern Drama 39 (1996): 475-489; "The Ethics of Indecency: Censorship, Sexuality, and the Voice of the Academy in the Narration of Jacob's Room" Twentieth-Century Literature 43 (1997): 420-438); and "Invasive Procedures: Imperial Medicine and Population Control in Ulysses and The Satanic Verses" (forthcoming in the James Joyce Quarterly).
STEVEN J. HEYMAN is an associate professor of law at Chicago-Kent College of Law, Illinois Institute of Technology. He is the editor of Hate Speech and the Constitution (Garland Publishing 1996), and the author of numerous articles on constitutional and legal theory, including "Righting the Balance: An Inquiry into the Foundations and Limits of Freedom of Expression", 78 Boston University Law Review (forthcoming Dec. 1998), on which this essay is based.
BETH A. MCCOY is an assistant professor of English at SUNY Geneseo. Her primary research and teaching interests are in the Harlem Renaissance and critical race feminism. Her article "A Nation's Metalanguage: Misogyny in Amiri Baraka's Dutchman and The Slave appears in Staging the Rage: The Web of Misogyny in Modern Drama . Additionally, she has published an essay on the 1950s film Blackboard Jungle , forthcoming in Cinema Journal. Currently, she is at work on a book manuscript tracing shifts in white masculinity as seen through the works of black women writers.
ROB SCHULTHEIS has covered Afghanistan since 1984 for CBS, NPR, Time, Mother Jones, The New York Times, The Washington Post, etc. His book on the Soviet occupation, Night Letters, was published by Crown. He was last in Central Afghanistan, working with women's groups there. His screenplay credits include work on Seven Years in Tibet and the upcoming film Quinn's Way. He is currently researching a film on torture victims and trauma treatment centers around the world.
LEE WALLACE is a lecturer in Women's Studies at the University of Auckland.
ROBYN R. WARHOL is a professor of English and the director of Women's Studies at the University of Vermont. She is the author of Gendered Interventions (1989) and co-editor with Diane Price Herndl of Feminisms (1991, second edition 1997). Her articles on gender and narrative have appeared in journals including Novel, Style, PMLA, Studies in English Literature, Essays in Literature and Psychohistory Review. She is currently working on a book on feelings and popular culture forms.
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