Genders OnLine Journal

 

We publish essays about gender and sexuality in relation...
Genders 37    2003

NOTES ON CONTRIBUTORS

JO-ANNE BERELOWITZ is an Assistant Professor of Art History at San Diego State University. She publishes on museums, gender issues, and art along the U.S.-Mexico border. Her article, "Border Art Since 1965" is forthcoming in Postborder City: Cultural Spaces of Bajalta, California (Routledge), edited by Michael Dear.

DAVID GREVEN is an Assistant Professor of English at Boston University's College of General Study. An article on Fanshawe and manhood will appear in an upcoming issue of The Nathaniel Hawthorne Review, as will an essay on tough women in the collection Action Chicks. His work has also appeared in Cineaste, Scope, and Cineaction. He has also written a career analysis of John Steinbeck for the Houston Grand Opera Company's production of Of Mice and Men.

DALIA KANDIYOTI has written on issues of ethnicity and migration, poetics of place, travel, and the city in publications such as Modern Fiction Studies, Nineteenth Century French Studies, History of European Ideas, and in collections. An assistant professor of English at the College of Staten Island, City University of New York, she is at work on a manuscript on place and belonging in migration narratives.

CAROL SIEGEL, professor of English and American Studies at Washington State University, Vancouver, is a co-editor of Genders and the author of Lawrence among the Women (1991), Male Masochism: Modern Revisions of the Story of Love (1995), and New Millennial Sexstyles (2000), as well as articles on literature, music cultures, and film. This essay is adapted from her work-in-progress on Goth youth culture after Columbine, Decline of the Dark Empire: A Counter-Culture Demonization Case Book.

PATRICIA VETTEL-BECKER is Assistant Professor of Art History at Montana State University-Billings. Her articles have appeared in American Art, Art Journal, and Men and Masculinities. She is currently working on her book titled Shooting from the Hip: Photography, Masculinity, and Postwar America.

CYNTHIA WEBER is Professor of International Studies at the University of Leeds. In addition to her work on international politics, she has written on feminism, gender, and queer theory and on cultural studies and American studies.

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