Genders 39    2003 NOTES ON CONTRIBUTORS Wendy Varney is a Principal Fellow in the Science, Technology and Society Program at the University of Wollongong, Australia, where she also attained her PhD. She researches areas of sport, toys and other leisure technologies, especially as they relate to gender, as well as working on areas of nonviolent struggle. She has written many articles and recently co-authored with Brian Martin a book Nonviolence Speaks: Communicating Against Repression, published by Hampton Press, Cresskill, New Jersey, 2003. DANA HELLER is Professor of English and Director of the Humanities Institute and Graduate Program at Old Dominion University in Norfolk, Virginia.   She is the author of Family Plots: The De-Oedipalization of Popular Culture and the editor of Cross Purposes: Lesbians, Feminists, and the Limits of Alliance.  DIANE NEGRA teaches film and television at the University of East Anglia.  She is author of Off-White Hollywood: American Culture and Ethnic Female Stardom (Routledge, 2001) and co-editor of A Feminist Reader in Early Cinema (Duke, 2002).  She is editor of the forthcoming The Irish in Us: Irishness, Performativity, and Popular Culture (Duke, 2005).  Her current project is entitled Perils and Pleasures: Postfeminism and Contemporary Popular Culture. CHIKAKO TANIMOTO is Associate Professor of Gender Studies at Nagoya University. She has published essays on gender issues and American literature including works by Ernest Hemingway, Willa Cather, Kate Chopin, and Nathaniel Hawthorne. INGRID MARIA HOOFD is a PhD candidate at the National University of Singapore. Her dissertation involves a feminist analysis of the intersections of new technologies, activism and academia in a Western context. She wrote her master’s thesis on cyberfeminism at Women’s Studies in the Humanities at Utrecht University, the Netherlands.  JO-ANNE BERELOWITZ is an Associate Professor of Art History at San Diego State University. She publishes on museums and on art along the U.S.-Mexico border. Her most recent article, “Border Art Since 1965” was published in Postborder City: Cultural Spaces of Bajalta California, edited by Michael Dear and Gustavo Leclerc, Routledge, 2003. Current Issue || Download || Editorial Board || Submission Guidelines || Recent Issues || Links & Books Views or conclusions published on this website are those of the authors and do not necessarily represent the views or conclusions of the editors or the editorial board. Genders Journal Campus Box 226 University of Colorado Boulder, CO 80309 http://www.Genders.org Copyright ©2003 Ann Kibbey. All Rights Reserved. This Web Site Created by A Net Presence, Inc.