| Genders 45 2007
NOTES ON CONTRIBUTORS
PHIL TIEMEYER is completing his degree in American Studies at the University of Texas at Austin, before beginning a position as Assistant Professor of US History at Philadelphia University. His dissertation, entitled “Manhood Up in the Air,” analyzes the sexual and gender politics of male flight attendants throughout the 20th century. The history of these men illustrates how male flight attendants gradually helped to transform certain forces which were originally antagonistic towards homosexuality–such as corporations, labor unions, and even the law–into organs which have contributed significantly to a gay rights agenda.
DUSTIN GOLTZ is a
doctoral student in Communication at Arizona State University. His areas of
interest include performance studies, queer aging, and pop cultural criticism.
CAROL–ANN FARKAS is an assistant
professor of English and writing program administrator at Massachusetts College
of Pharmacy and Health Sciences in Boston. Recent work includes studies of
women's fitness and athleticism in popular culture, and writing center theory
and practice.
RACHEL CARROLL is Principal Lecturer in English Studies at the
University of Teesside, UK. She has published on twentieth century and
contemporary literature and culture, feminist and queer theoretical
perspectives, and representations of embodiment, memory and subjectivity. She
is currently co-editing a collection entitled Textual Infidelities:
Rethinking Adaptation in Contemporary Culture (forthcoming, I.B Tauris).
ALEXANDRA BARRON is a visiting assistant professor at
Southwestern University. She teaches Feminist Studies, film, and literature.
Her research is on queer popular culture and teaching in the undergraduate
classroom.
EMILY S. DAVIS is currently completing a postdoctoral fellowship
in English at the University of Nevada, Reno, before beginning a position as
assistant professor of World Literatures at the University of Delaware. Her
article “The Intimacies of Globalization: Bodies and Borders On-Screen”
appeared in Camera Obscura: Feminism, Culture, and Media Studies in
2006. Her research interests include Anglophone postcolonial literatures;
globalization, immigration, and diaspora; feminist theory; transnational
reception and circulation; genre fiction; and film.
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