| Genders 47 2008
NOTES ON CONTRIBUTORS
DIANE NEGRA is
Professor of Film Studies and Screen Culture at University College Dublin. She
is the author of What a Girl Wants?: Fantasizing the Reclamation of Self in
Postfeminism (Routledge, 2008) and Off-White Hollywood: American Culture
and Ethnic Female Stardom (Routledge, 2001), editor of The Irish in US:
Irishness, Performativity and Popular Culture (Duke, 2006) and co-editor of
Interrogating Postfeminism: Gender and the Politics of Popular Culture (Duke,
2007) and A Feminist Reader in Early Cinema (Duke, 2002).
SU HOLMES is
Reader in Television Studies at the University of East Anglia, UK. She is the author of British TV and Film Culture in the 1950s
(Intellect, 2005), Entertaining TV: The BBC and
Popular Television Culture in the 1950s (Manchester UP, 2008), and The
Quiz Show (Edinburgh UP, 2008), and she is
currently working on a monograph on the 1974 documentary serial, The Family
(After Reality TV: Revisiting The Family) (forthcoming, Manchester UP). She
is the co-editor of Understanding Reality TV (Routledge, 2004), Framing Celebrity (Routledge, 2006) and Stardom and Celebrity: A Reader (Sage, 2007).
SHELLEY COBB holds a postdoctoral teaching
fellowship in literature and film in the School of Humanities at the University
of Southampton. She writes on film adaptation, female authorship, and popular
culture.
KIRSTY
FAIRCLOUGH
is Lecturer in Media and Performance at the University of Salford. Her doctoral work is focussed on celebrity bodies, makeover culture and post-feminism. Other research interests include the normalization of cosmetic surgery in popular culture and movements within American independent cinema.
MARGARET SCHWARTZ is Assistant Professor in the Department of
Communication and Media Studies at Fordham University. Her dissertation, which
she is revising into a book, analyzed representations of the embalmed corpse of
Evita Perón. Her translation of the novel Museum of
Eterna's Novel by the Argentine avant-gardist Macedonio Fernández is
forthcoming from Open Letter Press.
EMMA BELL is a Lecturer in Screen Studies at the University of Brighton. Her
areas of research include the representation of mental health and disability, talk
TV, avant-garde cinema, critical theory, continental philosophy, and
intellectual history. Her recent publications include essays on Harmony Korine, Lars von Trier, Dogme '95,
and philosophical pragmatism. She is currently preparing a monograph on madness,
art and critical theory.
ALICE LEPPERT and
JULIE WILSON are Ph.D. students in Critical Media Studies in the Department of
Communication Studies at the University of Minnesota. Ms. Leppert researches
television and film history, focusing on sitcoms, melodrama, and soap opera.
Ms. Wilson is currently writing her dissertation on contemporary celebrity
culture and global governmentalities.
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