Genders 51    2010 NOTES ON CONTRIBUTORS LINDSAY PALMER is a Ph.D. candidate at the University of California, Riverside, where she specializes in feminist discourse, television studies, and postmodern American literature.  She is currently working on a project that explores the connection between the confessional voice in Cold War American poetry and the confessional interview typical of reality television. SUZANNE LEONARD is an Assistant Professor of English at Simmons College in Boston. She is the author of Fatal Attraction (2009), the inaugural text in Wiley-Blackwell’s Studies in Film and Television series. Her articles have appeared in MELUS, Women’s Studies Quarterly, and in various anthologies including At Home and Abroad: Historicizing Whiteness in Literature and Performance and Interrogating Postfeminism: Gender and the Politics of Popular Culture. PÁRAIC FINNERTY is Senior Lecturer in English and American Literature at the University of Portsmouth. He is the author of Emily Dickinson’s Shakespeare and has published articles on topics ranging from transatlantic literature to terrorism in journals such as Prose Studies, Reconstruction, and Symbiosis. He is currently working on a monograph entitled Transatlantic Affinities: Dickinson and Victorian Poetry. GUY DAVIDSON is a Lecturer in the English Literatures Program at the University of Wollongong, Australia. He has published on sexuality in late nineteenth-century British and American literature and twentieth-century American and Australian literature in journals such as GLQ, The Henry James Review, and Journal of Modern Literature. His current main research project concerns commodity culture and same-sex desire in contemporary U.S. literature. CHRIS COFFMAN is Associate Professor of English and Coordinator of the Women’s and Gender Studies Program at the University of Alaska Fairbanks.  She is the author of Insane Passions: Lesbianism and Psychosis in Literature and Film (Wesleyan UP, 2006), which traces the now-discredited myth of the lesbian-as-madwoman from its introduction in early twentieth-century psychoanalysis (Freud, Lacan) and literature (Breton, Barnes, H.D.) through to its startling reappearance in contemporary film.  She has also published articles on Joyce’s Ulysses and Kafka’s The Trial. PURNIMA BOSE is Associate Professor of English, and Director of the Cultural Studies Program at Indiana University. She is the author of Organizing Empire: Individualism, Collective Agency, and India, and the co-editor, with Laura E. Lyons, of Cultural Critique and the Global Corporation. She has published articles on feminism, globalization, and activism in journals such as Genders, The Global South, and The Indiana Journal of Global Legal Studies.     Current Issue || Download || Editorial Board || Submission Guidelines || Recent Issues || Links & Books Views or conclusions published on this website are those of the authors and do not necessarily represent the views or conclusions of the editors or the editorial board. Genders Journal Campus Box 226 University of Colorado Boulder, CO 80309 http://www.Genders.org Copyright ©2006 Ann Kibbey. All Rights Reserved.