Genders 2004 LOCKSS Manifest Page

Issue 40     2004

Special Issue
Scared of the Dark:
Race, Gender and the "Horror Film"
Guest Editor: Frances Gateward

Race, Gender and Terror
The Primitive in 1950s Horror Films

By PATRICK GONDER

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NeoSlaves
Slavery, Freedom, and African American Apotheosis in Candyman, The Matrix, and The Green Mile

By KIM D. HESTER-WILLIAMS

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Passing For Horror
 Race, Fear, and Elia Kazan’s Pinky

By MIRIAM J. PETTY

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The Horrors of Remembrance
The Altered Visual Aesthetic of Horror in Jonathan Demme’s Beloved.

By ELLEN C. SCOTT

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Technologies of Race
Special Effects, Fetish, Film, and the Fifteenth Century

By MARK WINOKUR

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Daywalkin’ Night Stalkin’ Bloodsuckas
Black Vampires in Contemporary Film

By FRANCES GATEWARD

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NOTES ON CONTRIBUTORS, Genders 40

Issue 39     2004

A Labour of Patriotism
Female Soviet Gymnasts’ Physical and Ideological Work, 1952-1991

By WENDY VARNEY

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States of Emergency
The Labors of Lesbian Desire in ER

By DANA HELLER

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"Quality Postfeminism?"
Sex and the Single Girl on HBO

By DIANE NEGRA

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Subversion of the In/Out Model in Understanding Hemingway Texts

By CHIKAKO TANIMOTO

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Dialogues between Paul Virilio
and Chela Sandoval.
Towards a better understanding of uses and abuses of new technologies.

By INGRID MARIA HOOFD

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Family, Sexuality, Gender, Art
Jo-Anne Berelowitz interviews Vivien Green-Fryd about her new book, Art and the Crisis of Marriage

By JO-ANNE BERELOWITZ

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NOTES ON CONTRIBUTORS, Genders 39