Issue 52 2010
Manufacturing Hysteria
The Import of U.S. Abortion Rhetorics to Poland
| By JUSTYNA WLODARCZYK |
Getting The Girl
Wittig and Zeig's Trojan Horse
| By JULIE SCANLON |
You Have Not What You Ought
Gender and Corporeal Intellibility in
Henry Fielding's The Female Husband
| By EMILY BOWLES |
Boys and Girls Come Out to Play
Gender and Music-Making in
Hamilton, New Zealand/Aotearoa
| By MATTHEW BANNISTER |
Jocasta and the Rebirth of Matriarchy
Embodied Spectatorship in
Margaret Oliphant's "The Portrait"
| By DEBORAH MANION |
Everybody Has a Mammy:
The Productive Discomfort of
Louise Beavers' Movie Maids
| By KAREN BEAVERS |
NOTES ON CONTRIBUTORS, Genders 52
Issue 51 2010
Gender as the Next Top Model
of Global Consumer-Citizenship
| By LINDSAY PALMER |
"I Really Must Be an Emma Bovary"
Female Literacy and Adultery in Feminist Fiction
| By SUZANNE LEONARD |
The Englishman in America
Masculinity in Love
and Death on Long Island
and Father
of Frankenstein
| By PÁRAIC FINNERTY |
Bar and Dog Collar
Commodity, Subculture, and Narrative in Jane DeLynn
| By GUY DAVIDSON |
Woolf's Orlando and the
Resonances of Trans Studies
| By CHRIS COFFMAN |
From Humanitarian Intervention
to the Beautifying Mission
Afghan
Women and Beauty without Borders
| By PURNIMA BOSE |
NOTES ON CONTRIBUTORS, Genders 51
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has permission to collect, preserve, and serve this Archival Unit